un frere A brothers LGBT

https://ok.ru/video/9567832247026.

Brother is a 2022 Canadian drama film, written, produced and directed by Clement Virgo.[2] An adaptation of David Chariandy's award-winning novel of the same name,[3] the film centres on the relationship between Francis and Michael, two Black Canadian brothers growing up in the Scarborough district of Toronto, Ontario in the early 1990s.[4] The film stars Aaron Pierre as Francis and Lamar Johnson as Michael, with supporting cast members including Kiana Madeira, Marsha Stephanie Blake, Lovell Adams-Gray, Maurice Dean Wint, and Dwain Murphy. The novel's optioning for film was announced in 2018,[3] and the film went into production in fall 2021.[5] It is the second Canadian film in as many years, following Scarborough in 2021, to be set in the Galloway Road neighbourhood of Scarborough,[4] and Virgo's first theatrical feature film since 2007's Poor Boy's Game. The film premiered at the 2022 Toronto International Film Festival on September 9, 2022.[6] It was also screened as the closing film of the 2022 Calgary International Film Festival and as the opening film of the 2022 FIN Atlantic Film Festival.[7] Synopsis Francis and Michael are brothers living in Canada and sons of Caribbean immigrants from Jamaica. In the summer of 1991, the young men immerse themselves in the hip-hop scene of Scarborough. When his childhood sweetheart Aisha returns to their neighborhood for the first time in 10 years, Michael is forced to reconsider a family tragedy. Growing up as young black boys in a neighborhood prone to gang violence and police brutality, his older brother Francis had to be Michael's best friend, protector and even parent at the same time, because their single mother worked shifts as a nurse. As they grew older, Francis and Michael parted ways, but the unconditional love between the brothers and their mother continued. The film uses a non-linear structure, switching back and forth between the boys' childhood, their teen years leading up to and the lingering aftermath of Francis' death, all building toward the ultimate revelation in the film's climax of how Francis died. Although the film doesn't explicitly address LGBTQ themes in dialogue, a key scene toward the end of the film depicts Francis being physically intimate with his friend Jelly, suggesting that some of his emotional issues around their father's absence from their lives stem from being either gay or bisexual.